|
|||
Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ | »ïÈ£¹ÂÁ÷ |
Á¦Á¶±¹(¿ø»êÁö) | »ïÈ£¹ÂÁ÷/Çѱ¹ |
Ç°¸í ¹× ¸ðµ¨¸í | »ù¸®±âŸ±³º» (Playing What You Hear) CD |
ÀçÁú | ÇÏ´Ü ½ºÆå ÂüÁ¶ |
»ö»ó | ÇÏ´Ü À̹ÌÁö ÂüÁ¶ |
Å©±â | ÇÏ´Ü ½ºÆå ÂüÁ¶ |
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù | 2014³â 03¿ù 14ÀÏ |
Á¦Ç°±¸¼º | ÇÏ´Ü À̹ÌÁö ÂüÁ¶ |
»óÇ°º° ¼¼ºÎ»ç¾ç | ÇÏ´Ü ½ºÆå ÂüÁ¶ |
Ç°Áúº¸Áõ±âÁØ | ÇÏ´Ü ¼³¸í ÂüÁ¶ |
A/S ¾È³» | 1Â÷¹®ÀÇ : (ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150 |
|
»ù¸®±âŸ±³º»
±¹³» Àü¼³ÀûÀÎ ±âŸ¸®½ºÆ® ±³Àç!
90³â´ëºÎÅÍ °¡¿ä 12,000°î ÀÌ»óÀ» ¼¼¼Ç ÇϽŠ±¹³» ÃÖ°í ±âŸ¸®½ºÆ® »ù¸®(Sam Lee) ¼±»ý´ÔÀÇ ±âŸ ±³º»ÀÔ´Ï´Ù. ¸Ó¸´¼Ó¿¡ ¶°¿À¸£´Â ¼Ò¸®, µé¸®´Â ¼Ò¸®¸¦ ±âŸ ¼Ö·Î ¿¬ÁַΠǥÇöÇÏ´Â ¹æ¹ýÀ» ¹è¿ï ¼ö ÀÖ½À´Ï´Ù.
°¢ ¼½¼Ç º°·Î 8¸¶µð ´ÜÀ§ÀÇ ÁÖ¿Á °°Àº ¿¬ÁÖ mp3°¡ Æ÷ÇԵǾî ÀÖÀ¸¸ç, MRÀ» Ʋ¾î³õ°í ±×´ë·Î µû¶ó Çϸé <»ù¸® ½ºÅ¸ÀÏ>ÀÇ ¿¬ÁÖ¹ý°ú ¶óÀÎÀ» ÀÍÈú ¼ö ÀÖÀ» °ÍÀÔ´Ï´Ù. ¶ÇÇÑ »ù¸® ¼±»ý´ÔÀÇ Àåºñ¿Í Åæ Àâ´Â ¹ý, Discography µîÀÇ Á¤º¸¸¦ ¾ò¾î ±âŸ ½Ç·ÂÀÇ ·¹º§ ¾÷!À» ½Ãų ¼ö ÀÖ´Â ±³ÀçÀÔ´Ï´Ù.
Chapter1 | Sound Making »ç¿îµå ¸ÞÀÌÅ· 1. Equipments ¾Ç±â / ¾ÚÇÁ / ÀÌÆåÅÍ 2. Other Gear ±× ¿Ü Àåºñ 3. Tone Making Tips Åæ ¸ÞÀÌÅ· ÆÁ
Chapter2 | About Sam Lee ¾î¹Ù¿ô »ù¸® 1. Sam Lee »ù¸® 2. Discography À½¹Ý 3. Favorite Artists ÁÁ¾ÆÇÏ´Â ¾ÆƼ½ºÆ®
Chapter3 | Basic Training ±âÃÊ Æ®·¹ÀÌ´× 1. Mode(F) 2. Melodic minor Scale(F) 3. Harmonic minor Scale(F) 4. Pentatonic Scale(Am) 5. Whole Tone Scale(A) 6. Diminished Scale(A) 7. Dominant Pentatonic Scale(C) 8. Harmonize Major Scale In ¡°G¡± (Root on 6th String) 9. Harmonize Major Scale In ¡°C¡±(Root on 5th String) 10. Harmonize Major Scale In ¡°F¡±(Root on 4th String) 11. Harmonize Melodic minor Scale In ¡°F¡±(Root on 6th String) 12. Harmonize Melodic minor Scale In ¡°Bb¡±(Root on 5th String)
Chapter4 | Method ±³º» 1. A Dominant Experiment 2. Lead Phrase 1 3. Lead Phrase 2 4. Lead Phrase 3 5. Lead Phrase 4 6. Lead Phrase 5 7. Lead Phrase 6 8. Lead Phrase 7 9. Lead Phrase 8 10. Lead Phrase 9 11. Lead Phrase 10
|
|