»ó¼¼ Á¤º¸¸¦ È®´ëÇØ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
 

Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Berklee Press/¹ÂÁ÷¾ØºÏ½º
Á¦Á¶±¹(¿ø»êÁö) Berklee Press/¹Ì±¹
Ç°¸í ¹× ¸ðµ¨¸í ¹öŬ¸® À½´ë ÀçÁî Çϸð´Ï ±³º» (¿Â¶óÀÎ À½¿ø Æ÷ÇÔ)
The Berklee Book of Jazz Harmony [00113755]
ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶
»ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶
Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù 2016³â 11¿ù 30ÀÏ
Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶
»óÇ°º° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
A/S ¾È³» 1Â÷¹®ÀÇ : (ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150   

 


 

 

 

The Berklee Book of Jazz Harmony
Book & Online Audio

 
  
ÃâÆÇ»çBerklee Press
ÀúÀÚJoe Mulholland, Tom Hojnacki
¾ÆÀÌÅÛ #00113755
ºÐ·®264 ÆäÀÌÁö
¿ø»êÁö¹Ì±¹
  


 

¹öŬ¸®ÀÇ ±³À°¹æ½ÄÀÌ ±×´ë·Î ¹Ý¿µµÇ¾î ÀÖ´Â ÀçÁî Çϸð´Ï¿¡ °üÇÑ ·¹½¼ºÏÀÔ´Ï´Ù. 
Çϸð´ÏÀÇ ±âº»°ú ÀçÁî ÀÛ°î, Æí°î, ÀÓÇÁ·Î¹ÙÀÌÁî¿¡ ´ëÇÑ Æ°Æ°ÇÑ ±âº»À» ´ÙÁú ¼ö ÀÖ°Ô ±¸¼ºµÇ¾î ÀÖ½À´Ï´Ù. 
±âº» ÄÚµå ŸÀÔµé°ú ÅÙ¼Ç ³ëÆ®¿¡ ´ëÇÑ ³»¿ëµéÀÌ ¼³¸íµÇ¾î ÀÖÀ¸¸ç ±×°ÍµéÀÌ ½ÇÁ¦ ÀçÁî À½¾Ç¿¡¼­ ¾î¶»°Ô »ç¿ëµÇ´ÂÁö È®ÀÎÇØ º¼ ¼ö ÀÖ´Â ¿Â¶óÀÎ À½¿øÀÌ Á¦°øµË´Ï´Ù. 
halleonard.com/mylibrary¿¡ Á¢¼ÓÇؼ­ Ã¥¿¡ ÀμâµÇ¾î ÀÖ´Â ¾×¼¼½º Äڵ带 ÀÔ·ÆÇÏ¸é »ç¿îµå »ùÇÃÀ» ¿Â¶óÀÎÀ¸·Î µè°Å³ª ´Ù¿î·Îµå ÇÒ ¼ö ÀÖ½À´Ï´Ù. 


- Contents - 
 
ACKNOWLEDGMENT 
INTRODUCTION 

CHAPTER 1. Major Key Harmony 
CHAPTER 2. Secondary Dominants, Extended Dominants, and the "II V" Progression 
CHAPTER 3. Substitute Dominants: "SubV's" 
CHAPTER 4. Minor Key Harmony: A Sea of Options 
CHAPTER 5. Modal Interchange 
CHAPTER 6. Blues in Jazz 
CHAPTER 7. The Diminished Seventh Chord 
CHAPTER 8. Modulation 
CHAPTER 9. Modal Harmony in Jazz 
CHAPTER 10. Outside of the Box: Constant Structure Progressions 
CHAPTER 11. Jazz Voicings 
APPENDIX A. The Standard Deceptive Resolutions of V7 
APPENDIX B. Non-Resolving Dominant Seventh Chords 

ABOUT THE AUTHORS 
INDEX