»ó¼¼ Á¤º¸¸¦ È®´ëÇØ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
 
ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ »óÇ°Á¤º¸ Á¦°ø °í½Ã
Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Alfred/½ÎÀÌÅ°µ¨¸¯½ã
Á¦Á¶±¹(¿ø»êÁö) Alfred/USA
Ç°¸í ¹× ¸ðµ¨¸í Complete Jazz Guitar: Improvisation(CDÆ÷ÇÔ) (00-14129)
ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶
»ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶
Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù (Á¦Á¶ÀÏÀÚ ¾Æ´Ô) 2008³â 08¿ù 08ÀÏ
Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶
»óÇ°º° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
A/S ¾È³» 1Â÷¹®ÀÇ : (ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150   

Intermediate Jazz Guitar(00-14123)¸¦ °øºÎÇÑ ±âŸ¸®½ºÆ®¿¡°Ô ±ÇÀåÇÒ ¸¸ÇÑ ÀÌ Ã¥/CD ÆÐÅ°Áö¿¡´Â ¼Ö·Î¿¡ °üÇÑ Áö½Ä°ú ±â¼úÀÇ ÇѰ踦 ³ÑÀ» ¼ö ÀÖ´Â ¹æ¹ýµéÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù.
´ë¸® µµ¹Ì³ÍÆ® ÄÚµå À§¿¡¼­ÀÇ ¼Ö·Î, µð¹Ì´Ï½¬ ½ºÄÉÀÏ, ¿ÂÀ½ ½ºÄÉÀÏ, ´ë¸® ÄÚµå, ¸¯ ¿¬ÁÖ, ¸¶ÀÌ³Ê ½ºÄÉÀÏÀÇ ¸ðµå µîÀÇ ³»¿ëµéÀÌ ½Ç·ÁÀÖ½À´Ï´Ù.
Àб⠽¬¿î ½ºÄÉÀÏ ´ÙÀ̾î±×·¥°ú ¿¹Á¦ ÇÁ·¹ÀÌÁî µî°ú ÇÔ²² ÀçÁî ¼Ö·Î ±âŸ ¿¬ÁÖ¿¡ ´ëÇÑ ÇʼöÀûÀÎ Á¤º¸µéÀÌ °¡µæÇÕ´Ï´Ù.
Ÿºê¾Çº¸·Î ±âº¸µÇ¾î ÀÖÀ¸¸ç ºÎ·Ï CD¿¡´Â ¿¹Á¦µéÀÇ µ¥¸ð°¡ µé¾îÀÖ½À´Ï´Ù.
64 ÆäÀÌÁö ºÐ·®ÀÔ´Ï´Ù.


- Contents -

About the Author
Introduction

Chapter 1 - Improvising Over Altered Dominant Chords
Lesson 1: The Diminished Scale
   Train
Lesson 2: The Whole Tone Scale
   Once
Lesson 3: The Super Locrian Mode (Diminished Whole Tone Scale)
   Moon
Lesson 4: Using the Altered Scale Over a ii-V7-I Progression
Lesson 5: Targeting the Altered Chords - The Altered Clusters
Lesson 6: Revamping Licks

Chapter 2 - The Minor Scales and Their Modes
Lesson 1: The Melodic Minor Scale
Lesson 2: The Modes of the Melodic Minor Scale
Lesson 3: Arpeggios in the Melodic Minor Scale
Lesson 4: The Harmonic Minor Scale
Lesson 5: The Modes of the Harmonic Minor Scale
Lesson 6: Arpeggios in the Harmonic Minor Scale
Lesson 7: The ii min 7b5-V7b9-i min7 Progression

Chapter 3 - Using Arpeggios
Lesson 1: Chord Superimposition
Lesson 2: Melodic Patterns Based Around Arpeggios
Lesson 3: Melodic Patterns Based Around Chord Shapes

Chapter 4 - Eight-Tone Scales
The Eight-Tone ii-V7 Scale
The Eight-Tone I Scale

Chapter 5 - Connecting Your Ideas
Lesson 1: The Chromatic Connection
Lesson 2: Accentuating the Difference Between Keys
Lesson 3: Repeating an Idea in Different Octaves
Lesson 4: Rhythmic Motives
Lesson 5: Melodic Connection
Lesson 6: Diatonic Connection

CODA - A Medley of Suggestions and Musical Concepts
Playing on the Extensions Using Advanced Pentatonics
Playing on the Extensions Using Tones From 13 Chords
Playing With Wider Intervals
Octave Displacement
Symmetrical Motives